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Download American Foodie: Taste, Art, and the Cultural Revolution by Dwight Furrow PDF

By Dwight Furrow

As food, nutrition is vital, yet in today’s international of extra, a significant portion of the area has taken nutrition past its useful definition to nice paintings prestige. From star cooks to beginner nutrients bloggers, members take possession of the meals they devour as an inventive expression of character, background, and ingenuity. Dwight Furrow examines the modern fascination with nutrition and culinary arts not just as international spectacle, but additionally as an expression of regulate, authenticity, and playful production for people in a homogenized, and more and more public, global.

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Extra resources for American Foodie: Taste, Art, and the Cultural Revolution

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20. , 171. 21. , 170. 22. See Plantinga, “Cognitive Film Theory,” 20; and Robert Sinnerbrink, New Philosophies of Film: Thinking Images (London and New York: Continuum, 2011). 21 ted nannicelli and paul taberham 22 23. David Bordwell and Noël Carroll, “Introduction,” in Post-Theory: Reconstructing Film Studies, ed. David Bordwell and Noël Carroll, Wisconsin Studies in Film (Madison: University of Wisconsin Press, 1996), xiv. 24. Noël Carroll, “Prospects for Film Theory: A Personal Assessment,” in Bordwell and Carroll, 56.

Film Theory and Philosophy, ed. Richard Allen and Murray Smith (Oxford and New York: Oxford University Press, 1997). 40. John Mullarkey, Refractions of Reality: Philosophy and the Moving Image (Houndmills: Palgrave Macmillan, 2009), 30. 41. , 55. 42. Robert Sinnerbrink, New Philosophies of Film: Thinking Images (London and New York: Continuum, 2011), 8. 43. Noël Carroll, Interpreting the Moving Image, Cambridge Studies in Film (Cambridge: Cambridge University Press, 1998); David Bordwell, On the History of Film Style (Cambridge, MA: Harvard University Press, 1997) and David Bordwell, The Way Hollywood Tells It: Story and Style in Modern Movies (Berkeley: University of California Press, 2006); Murray Smith, Trainspotting, BFI Modern Classics (London: British Film Institute, 2002); and Richard Allen, Hitchcock’s Romantic Irony, Film and Culture (New York: Columbia University Press, 2007).

Make no mistake: neuroscience will continue to spread into the making and the study of film. Film scholars can stay in their comfort zone and pretend it is not happening, or they can look outward with an open mind as well as a skeptical eye, assessing just what neuroscience might or might not have to offer film studies. In this chapter, I make a start on that project of assessment. I begin by exploring some of the controversies surrounding contemporary neuroscience, and some of the arguments offered against its extension into new domains.

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