By Mieke Bleyen
Booklet annotation no longer on hand for this title.
Title: Minor Photography
Author: Bleyen, Mieke (EDT)
Publisher: Cornell Univ Pr
Publication Date: 2012/10/19
Number of Pages: 198
Binding sort: PAPERBACK
Library of Congress:
Read Online or Download Minor Photography: Connecting Deleuze and Guattari to Photography Theory PDF
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Extra info for Minor Photography: Connecting Deleuze and Guattari to Photography Theory
Both projects do not involve a simple abandoning of the figure or of the human 14 (that is, a complete disruption/abolition), but a kind of stretching or rwisting of it. A rupturing that allows for the releasing of forces trom within and the contact of forces that are without (both in fact being the same operation). Both Bacon and Deleuze are specifically mannerist in this sense (Deleuze, 2003: 161). Both are interested in accessing the figuraI 'behind' the figure; the invisible 'behind' the visible.
Such a chain extends to the collection compiled by Hebnarova, to its partial acquisition by the Tichy Ocean Foundation, and to the extreme care with which Buxbaurn makes it public, has it reproduced and accompanies its visibility with the help of the various actors from the art world. That this collective assemblage manages quite happily without its author certainly makes it an exceptional case, but doesn't mIe out the possibility to describe it as a minor photographie practice. : 18). Where Kafka described in his Diaries the paradoxical advantages of a modest literature consequent upon a normalized hierarchy (a situation of linguistic minority and a supposed lack of recognition of popular themes), Deleuze and Guattari described a becoming, more of a process th an a state.
B. Massumi (London: Athlone Press, 1988). ), Miroslav Tichj (Paris: Centre Pompidou, 2008). -, Marc Lenot, 'The Invention of Miroslav Tichy, , Études photographiques, 23 (May, 2009a): 239-251. -, Marc Lenot, 'Invention et retrait de l'artiste. Cexemple du photographe tchèque Miroslav Tichy,' Master's thesis directed by A. org/blog/4112 [consulted May 23,2012]. -, Gianffanco Sanguinetti, Miroslav Tichy. Les formes du vrai / Forms of Truth (Prague: Kant, 2011). -, Jean-Marie Schaeffer, L'image précaire: du dispositif photographique (Paris: Le Seuil, 1987).